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Drunk
on wine, I'm amazing!
-Barenaked
Ladies
Half a Heart
|
September
17 , 2006
BLAM!
We
take a break from our current Guster
obsession and turn our hearts and ears to the new Barenaked
Ladies release, Barenaked Ladies Are Me. Silly name,
great songs. I downloaded the deluxe super long version from iTunes
(28 songs). There is a 15
song version available on their website for download if you
are interested, and you can buy a CD at a record store.
For
those of you not interested, sincere apologies for this entry.
But I've waited for this release rather eagerly for over a year
, listening to their podcasts, following the progression of laying
down beds and putting on vocal layers, and sunburns on Ed's gorgeousness
mixed into the middle. I've downloaded live versions from their
website from last tour. And as one obsessed I must analyze
and digest and pick what parts will become interwoven into my life's
tapestry.
And
as a fan of this journal, hopefully you'll read along with my thoughts
on this topic. Even if you're not interested in the band, there
are a few songs that may click with you. Anti-war folk will LOVE
"Fun & Games" and you should download it from iTunes
or wherever you get your downloads. You'll also love the honest
"Maybe You're Right" which is one of their most powerful
tracks ever.
But
I'm getting ahead of myself.
I will
write a summation of what I think of each song. Agreements or disagreements
from my three or four fellow BNL maniac fans (and you interlopers)
are welcome over in the comments section.
I am
not sure if this is even the right order that the tracks are supposed
to be heard in, but it is the way they are organized on my PC by
iTunes, so I hope it is an accurate in-order representation.
Here
we go. Track by track, I give you the (a)musings (o)pinion on
BLAM:
Another
Spin
Hate it. I hated it the first time I heard it. I think the lyrics
are lame. I don't like Kevin Hearn's singing on this song. It is
over produced, the harmony layers are ... gross. I can't believe
they kicked off the album with this song. Feh. (ha! did you think
I'd immediately and unequivocally gush? NO! I'm honest about my
feelings, even when it comes to BNL).
Bank
Job
A classic, comedic, sweet little gem. The premise (bank robbers
who botch a job because the bank is filled with nuns) would make
a great novella or short movie. Ed's voice is beautiful, the lyrics
are clever and sweet (the nuns were "like zebras. They had
us confused). I love the instrumentation on this one, lots of little
Kevin noises. It isn't way far off the version they played on tour
last year, and it is one of my favorite BNL songs ever.
Beautiful
Could be better lyrically. I get where they're headed with it, but
the song seems to lack clever hooks, or any cleverness at all. It
is kind of a companion to the song Aluminum on Everything
to Everyone. Kind of a follow up in some ways. Seems to be a theme
with them lately, but this one fails to deliver. It is in a kind
of jazzy rat-pack style with lots of harmony and quick lyrics sung
by back-up singers. I just think it is missing something and that
would be in the lyrics.
Down
To Earth
Killer opening drum licks layered with crazy Kevin Keyboards. Lots
of fun noises, weirdness, and an up beat almost movie soundtrack
feel. "She's just so down to earth, via satellite."
Easy
...meh.
I
had high hopes for this. The long drawn out "Eeeeesssaaaaaayyyyy"
harmonizing really bores me. The guitar work is nice, but as a single,
this was a bad choice, a schnorer, and I don't care for it.
Everything
Had Changed
Very Klezmer-ized, beautiful bow work on the strings by our boy
Jim and tremendous accordion work from our boy Kevin. Wow. Almost
like "Message in a Bottle" by the Police in theme. Lyrically
it captures a lot of what old BNL had to offer -- loneliness, depression,
but with an ounce of hope at the end. A hundred million castaways,
looking for a home. Awesome vocal work by Steve. Good song.
Half
a Heart
Best opening line in a long time. "Drunk on wine, I'm amazing."
Again -- Ed's singing and voice are superb. It's a good song ...
it's growing on me. I am not sure what the whole song is about,
but it's catchy, it's got some interesting lyrics, and hell... best
thing on the album so far after Bank Job.
Home
A very beautiful piece, if not slightly repetitive at times (that's
when I knew that I was, that's when I knew that I was... okay we
get it). Follows in the "You will be waiting" kind of
sound that we love from old BNL songs... Gorgeous vocal by Steve.
Great song, very pretty.
I
Can I Will I Do
A long time played live song, very glad to see it finally released.
Steve's vocal is not so hot on this though. I found him breathy
and kind of sloppy in what I suppose is supposed to be a sultry,
sexy way, but I didn't feel that. I would have preferred a fresh,
crisp, hard and clear vocal a la "What a Good Boy". It's
a great song though, and I'm sure live it will continue to be tremendous.
Maybe
Not
Repetitive, somewhat decent, excellent use of handclaps. A song
focusing on a couple on the verge of a breakup written by guys who
are happily married kind of lacks a little something real . Not
that I want them to break up with their wives to get better songwriting...
There are some great lines in here "pretty soon I'll be as
good as gold, lamé."
Peterborough and the Kawarthas
For people outside of Canada, some research into where Peterborough
and the Kawarthas are may come in handy. Think vacation land,
think a nice little getaway, a cabin, woods, lakes, canoes, views,
joy. And then think of a dad leaving his baby in order to go back
to work or on tour or somewhere far away. And in his far away place
he misses the family, and listens to the weather forecast imagining
the rain there is heading his way. His longing is sweet and sad.
And that should make for a great song. But. Not a big fan. I found
this repetitive, repetitive, and ... redundant. Sung by Jim, his
voice is sweet and pure, and Tyler voices in the weather report
rather convincingly. But the sweet and weather doesn't save the
song from just being kind of boring. It will be picked up by a tourism
Canada board in the spring, I predict. You just watch.
Quality
Ironically, this one will be picked up by some major corporation
to sell a product, and that will be very, very funny. Because the
song continues in that BNL vein of post modern ennui that brought
us Pinch Me. There is a lot of delicious sarcasm here. What I love
about the band. The one thing I hate about this song is mention
of "Billy Barty." Seems like they went fishing for something
and thought it would be funny to reference a 70s little person actor.
Not so much.
Rule the World With Love
"Couldn't happen to a better man, wouldn't happen with a better
plan. While we were napping someone else began to rule the world
with love." I think this is a slam on the Bush policies across
the planet of "compassionate conservatism." Eventually
ruling with an iron fist and force in the guise of "love."
Song sounds good overall, and I prefer the live version.
Running out of Ink
Excellent keyboard opening, and a great song that spotlights how
the band feels about being constantly compared to the "old"
band. "This is what it takes to drive a man to drink."
Kind of sums up a more grown up take on Box Set. And it's not just
about how aging changes your songwriting, it also spotlights how
relationships work their ways into songs and now everyone in town
knows your dirty little secrets if you know a songwriter, echoing
"In The Car," in some ways. A nice rocking tune with humorous
lyrics, this is a keeper.
Serendipity
Kevin sings this piece of high-school time nostalgia of a young
couple, with references to Dairy Queen Blizzards in his heart. It's
okay. Background filler-ish kind of okay. Nothing really grabs me
about this one, not sure if even a change of vocalists to Steve
would save this one for me. Meh.
The New Sad
Everybody knows that happy is the new sad. It starts out powerfully,
but then becomes... repetitive (are you detecting an opinion thread
here with me yet?) I really don't care for this. It starts out so
promising... and then. meh.
Vanishing
Kevin sings this one, about a magician looking to hook in a beautiful
admirer. "He's a magician, hoping, wishing. But you're the
one vanishing." This song works in a number of ways. Kevin's
voice is very good, kind of creepy in a way, and I get a vision
of a David Copperfield kind of guy eyeballing a chick in his Bellagio
audience. It gets a bit repetitive towards the end where they just
beat the refrain over and over. Aside from that, I like sound and
feel of this one. Finally, a Kevin song that is really good.
Why Say Anything Nice?
"Why'd you put your dress shoes if you didn't come to dance?"
Why say anything nice when you can say nothing at all. It's a great
little rocking tune, a really good time, and falls into their political
opinion and social commentary file folder of songs, falling in where
Steve is often criticized for being critical towards the US government.
Clever lyrics, great drum work, horns cranking hard, great use of
harmonies that aren't over produced and layered in, and awesome
keyboards from Kev. It should have been faster though. That's my
only complaint here. This would be a great radio hit.
Adrift
Filled with plays on words, including the title "I'm adrift
without a snowflake" this is a very nice example of why I love
Ed Robertson. His voice and his tone and the tongue in cheekness
on this one really make me smile. Also, great guitar work with a
nice banjo and mandolin laid in. Great song. "You're an abacus
and my heart was counting on us." In some ways, this almost
touches me as the counter-character to "Tonight is the night
I fell asleep at the wheel," where the subject of that song
is a bit aloof but coming home, and dies in an accident on the highway.
I kind of feel this is the other person waiting, thinking to his
or herself "your heart's got a heavy load, there's still a
long way to go. Keep your eyes on the road" before any knowledge
of the accident. I'm reading too much in, I'm sure. I like the violins
at the end, and the kind of weird echoey sound... which feeds my
read and sense of foreboding.
Angry People
The first time I heard this song I didn't like it. I didn't like
the live version, and this is one instance where the studio album
delivers some unexpected and enjoyable results. I read it as a character
study in what "activism" does to people around the activist.
And if he's going to be angry, he wants you on his side so he'll
pull people "down" until they're Just Like Us! Steve has
gotten into a lot of hot water for his political views and public
voicing of them, and I think that this is his fun way of poking
at people who think he is too angry all the time. Nicely done.
Bull In A China Shop
Probably one of my favorite songs off of this album. I'd heard it
done live before, and love the concepts, especially "I'm a
bottle of diet poison" and "I'm the reason I don't go
out." The song cracks me up. "I can't hear a thing,
cause I've stopped listening." Someone else I know reads this
song as an indictment against George W. Bush and people of his ilk.
Which I would too save for the last two lines which make
me think this is at face value a guy who just sucks at relationship
and has made a wreck of his life. Not a president who has made a
wreck of the country. That comes later on this album. Oh! as a matter
of fact, it is the next one.
Fun & Games
I know a lot of people will and do love this song (Bill
and Stace would LOVE this one, and I may send it to them). As
for me, I skip over it. I've listened to it a number of times and
to be honest I don't think (deep in my heart) that anyone in government
thinks it is funny and a lark that soldiers die and continue
to die in the Iraq war. It's not like playing Risk or Parcheesi
and people sit in a room and laugh about limbs being blown off.
I don't think it is a fair assessment of the gravity that comes
with making a decision like what was made. It is like armchair quarterbacking
with a CNN anchor telling us what to think instead of John Madden.
For
the record, the band is entitled to their opinion, and because I
love their right to free speech, I also exercise mine to free hearing
and go on to the next one...
Maybe You're Right
I love that they paired these two songs together. "Fun &
Games" sounds as if it was written in 2002, this one sounds
as if it was written yesterday, with four years of contemplation
between events. Steve asks us:
"Shall
I take back
everything I've ever said
and live my whole life in silence instead?"
While
Ed counters with
"Shall
I take back
all my attacks,
all of my accusations?
All my mistrust,
we never discussed
anyone's reservations?"
And
they soul search through the past few years of their open honesty
and outright opposition to the war, and the war itself. It was over
simplified, it was under thought. Or is it their reactions that
were over simplified and under thought? The pronoun of "it"
is used instead of "the war" or "my feelings"
and before I know it, I'm not sure which they mean but I have an
idea.
Then,
on the top of everything as it layers and builds, Steve releases
"Maybe you're right, maybe you're right but I don't think
so." It builds to a hugely powerful crescendo with horns
layering over one another, and when they do it live the band sings
the horn parts.
The
gravitas and honesty in this song is overwhelming to me,
and it brings me to tears. Knowing the shitstorm that Steve brought
on himself from his own fans, from people who adore him and respect
him, brought him to this song.
And
he still stands by what he believes.
But
with more humility than the similarly inclined and opinionated Dixie
Chicks' bitchy little "Not Ready To Make Nice" song. Stack
the two up against one another, and tell me you don't prefer this
song.
It's
my favorite song on the album, especially when it is done live and
they do the horn part at the end together. And even though I may
disagree with things they've said, expressed and positions they've
held, I will love Steve and Ed for sharing this and writing this
amazing song.
I guarantee
you will find me standing there singing along tearfully when they
do it live. This is the gem of the album, this is the best song
in the crop.
One and Only
An interesting study in different rhythms by Tyler Stewart on drums,
with a rather curious lyric stream sung by Ed. Overall I'm not loving
this one. Not sure if it is a song about a baby, a dog, or some
guy who needs a clue. Will it grow on me? Not sure.
Something You'll Never Find
Awesome organ opening with Tyler kicking ass on the drums. Starts
off strong but the lyrics are soft. Evokes a Beatles kind of feel,
and it's not unlistenable but I wouldn't put it on my mp3 player
if I was short on space. Great horns rocking in the back, by the
way -- something BNL hasn't used a lot of in the past is horns.
And they're well put to use here.
Sound of Your Voice
Originally sung by Kevin on tour last year, I'm incredibly
glad that Steve took over the vocal for this. Under Kevin's vocal,
the song was squishy and soft. Steve kicks its ass, and owns it.
Very nicely done. What an excellent decision. I don't hate Kevin,
I just ... prefer when he doesn't sing.
Take It Back
Ed sings this one, and it echoes "Maybe You're Right"
but with an outright "If I've said anything to make you mad,
I'll take it back." It could be a relationship song if it didn't
outright reference airport security and measures our government
has slapped down on our heads to protect us from plastic forks and
ourselves. It is a great song -- very honest with an ongoing slice
of frustration at the goings on in this post-post modern world.
What a Letdown
How ironic, some would say. Overall the album isn't really great
and people are using this title to express their disappointment
in it. This song however has decent lyrics, Ed does a great job
with the vocals, you can hear him smirking through each line. Best
line was "That might have been funny at twenty but I just turned
32." The drums are tremendous. But the harmonies are way too
layered and kind of annoying on the refrains. I think it focuses
on where they are now as older songwriters instead of college aged
pranky songwriters. Too many weird Kevin noises in the back, trilly
flutes and weird honking farty noises. Let the guitar solo speak
for itself. Otherwise, it's a letdown.
Wind It Up
Well, this is the song that will be the the big video starring
people who submitted air-guitar videos to be included in the final
product, as some of my acquaintances on Barenaked dot net are learning.
I tried to get good video of our Geoff to submit for inclusion,
but my camera doesn't record for more than 90 seconds, and I didn't
feel like stringing pieces together for one final product. The lyrics
here are what we expect from a BNL song in a lot of ways. "I
was a baby when I learned to suck but you have raised it to an art
form" shines through. Also, "Throw your sticks and stones,
throw your mobile phones" could be dangerous at a live show.
If they thought having macaroni and cheese thrown at them hurt back
in the day, imagine how it feels having cell phones pelt them in
the head. Ending the album strong compared to the opening is a good
move, although I would have done it the other way and put this one
first, and Another Spin last.
On
the CD on iTunes Another Spin is a bonus track. I think if you bought
the CD in a record store, you'd get 13 tracks, and Quality and Another
Spin are not included in that release. I don't know how they keep
track of how things sell in order to to chart on Billboard or wherever
they keep track of this, but I can't understand how the band is
going to make an impact on charts by selling three different versions
of the release, plus an acoustic version that was part of a pre-order
package through the record label if you bought it back during the
summer. And I think the acoustic version is available if you buy
the album in its fourth version, a USB computer stick. Which I may
get, just because I want the acoustic version and am kicking myself
for not buying it in presale.
I recall
when Everything To Everyone came out in 2003 and I initially didn't
like it at all. I thought there was WAY too much of a Kevin
Hearn influence on just about every song. But many of the songs
on that release grew to be some of my favorites, just with patience
and time and seeing them done live. Aluminum, Celebrity, Next Time,
each of those songs are some of the best the band has ever released,
but the first time I heard them I didn't necessarily believe that.
Will I fall in love with songs like "One and Only" and
"Something You'll Never Find" on this release? Not sure.
I doubt it.
Still,
the diamonds on this album, in my opinion, far outweigh the dogs.
And in the end, if you're interested in the ones I point out as
good (Bank Job, Maybe you're Right, Running out of Ink etc...) get
them and give them a listen.
Alright.
Let the flame comments commence! Or, let the agreements commence.
You be the writer.
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